Looking through more of Johanna Asseraf’s portfolio. It’s comprised mostly of photography and illustrations, which is surprising because the her few design pieces are so strong.
Johanna, how did you get so good at designin if you hardly ever do it?
Some featured projects from Mike Krol, lookin pretty fine.
What I like about a lot of these projects is how the Main Idea is carried through and rephrased in different ways throughout all the pieces.
I love the way that “Q” echoes the lightening bolt shapes. Also I love lightening bolts.
^ This is the kind of good, bad photoshopping that I am ALL ABOUT
^ cool typography. I would really like to see it rendered in duct tape on an amp or guitar case.
Do you ever design something and think to yourself: this looks good. And then two months later you glance back and you go: oh my god this is so mediocre how could I have thought I was finished before?
That’s how I’m feeling about the layout for my portfolio site, which I never finished building anway. I’m thinking when I go back to redo it, I’ll make it something like the above image?
Which is a detail shot of THIS awesome book jacket
nice to meet you too
from mint
This tumblr is a safe, design-geek-friendly place so I feel comfortable saying that I love package design and I will go one step further and admit that when I go to a big beer and/or wine store I get really excited to go around and look at all the labels. I have a feeling that many of you do the same thing.
When I visited Belgium a little over a year ago I was so psyched to LOOK AT so much high-end beer. I was disappointed that most of these amazing beers that have been crafted by monks for hundreds and hundreds of years all had the same, basic, traditional monk-like beer calligraphy on the labels and not much more.
All of this is a round-about way of saying that I like the Shiner logo because it uses that pointy, middle ages type but it ALSO is original and interesting and way cool.
Shiner Beer on the Behance Network
from design work life
